CR2 vs CR3

Canon's CR2 and CR3 are both proprietary Raw image file formats used in their digital cameras. "Raw" means they capture all the data directly from the camera's sensor without any in-camera processing (like sharpening, white balance, or color saturation) applied, giving photographers maximum flexibility for post-production editing.

The primary difference between CR2 and CR3 lies in their underlying architecture, efficiency, features, and the generation of cameras they are associated with.

CR2 (Canon Raw, version 2)

  • Era: This was Canon's dominant Raw format for many years, used across most of its DSLR lineup and earlier mirrorless cameras (like the original EOS M series).
  • Based On: CR2 files are structurally based on the TIFF (Tagged Image File Format) standard. This made them relatively straightforward for third-party software to parse and support.
  • Compression: CR2 uses a lossless compression algorithm. This means that while the file size is reduced, absolutely no image data is discarded, ensuring maximum detail and dynamic range are retained.
  • File Size: Generally larger compared to CR3, especially the C-RAW option in CR3.
  • Software Compatibility: Widely supported by virtually all major Raw processing software (Adobe Lightroom, Photoshop, Capture One, etc.) due to its long tenure.

CR3 (Canon Raw, version 3)

  • Era: Introduced with the Canon EOS M50 in 2018, CR3 became the standard Raw format for Canon's newer mirrorless cameras (the EOS R system) and some later DSLR models.
  • Based On: CR3 uses a newer, more modern container format called CineForm Raw (CRF). This is a more efficient and flexible architecture than TIFF.
  • Compression Options: This is a key differentiator:
    • Lossless CR3: Similar to CR2, it offers lossless compression, but often with slightly better efficiency, resulting in marginally smaller files than CR2 for the same sensor data.
    • C-RAW (Compact RAW): This is a new, lossy compression option. It significantly reduces file sizes (often by 30-40% compared to lossless Raw) while aiming to retain virtually all perceived image quality and editing flexibility for most common photography scenarios. The compression algorithm is intelligent, focusing on areas less critical to image detail.
  • File Size: Smaller than CR2, especially when using the C-RAW option. This is a significant advantage for storage, memory card capacity, and camera buffer performance.
  • Metadata: The new format allows for more advanced metadata storage, supporting new in-camera features and potentially paving the way for future functionalities.
  • Processing Efficiency: Designed for potentially faster in-camera processing and potentially faster import/rendering in compatible Raw converters.
  • Software Compatibility: Requires newer versions of Raw processing software. When CR3 was first introduced, there was a period where older software did not support it, necessitating updates.

Summary of Key Differences:

Feature CR2 (Canon Raw 2) CR3 (Canon Raw 3)
Introduction Older generation (mostly DSLRs, early mirrorless) Newer generation (EOS M50 onwards, EOS R system, later DSLRs)
Underlying Format Based on TIFF Based on CineForm Raw (CRF)
Compression Options Lossless only Lossless and C-RAW (Lossy)
File Size (vs. each other) Generally larger Generally smaller (especially with C-RAW)
Efficiency Less efficient compression More efficient compression (both lossless & C-RAW)
Perceived Quality Loss None (always lossless) None for lossless CR3; minimal/negligible for C-RAW for most applications
Software Support Near-universal support Requires newer versions of Raw processing software
Camera Performance Impact Larger files mean slower buffer clearing, fewer shots in burst Smaller files mean faster buffer clearing, more shots in burst (especially C-RAW)
Metadata Standard More advanced/flexible metadata storage

Which one to use

  • If you prioritize smallest file size and extended buffer performance without sacrificing much perceived quality: Use C-RAW (CR3). For most photographers, the quality difference from lossless Raw is imperceptible.
  • If you demand absolute maximum image data, even for extreme recovery or niche applications: Use Lossless CR3. It's still more efficient than CR2.
  • If you have an older camera that only supports CR2: Then CR2 is your only Raw option.

In essence, CR3 is a more modern, efficient, and versatile Raw format designed to meet the demands of newer, higher-resolution cameras and faster shooting speeds, primarily through its C-RAW compression option.